0:00-0:03

The scene began with the lens focused on a yellow and tan bottle of shampoo with a generic label. It may be apart of the ad promoting staying clean or good hygiene. The shampoo bottle was covered on the right side with soap. Behind the glass window of the shower where the shampoo is currently residing, their was a women in a white towel twirling another white towel over her hair. She then began to walk towards a corridor. This scene gives the impression of a home. This home could have very well be home to a family or the woman and her friends/ roommates.

0:04-0:05

The mysterious corridor is revealed have a mirror on the wall. There may have been a sink underneath the mirror, but it was yet to be shown at this point in the scene. The woman wipes the fog from the mirror to expose her face in the reflection of the mirror. The fog begins to clear a little more and the room could be described as a fairly upper middle class home. Like many bathrooms, the decor was decorated with light colors giving the scene a feeling of happiness. These white colors include white, tan, and yellow. The tan and yellow show give the bathroom a warmer feeling to indicate it most likely is in the home of a family. The woman has white skin with a hint of olive tone, hazel green eyes, pink lips, and blonde hair. Although the main focal point of the ad has been the shampoo bottle, the woman is now stealing the spot light. This is due to the camera maintaining focus on her instead of the generic shampoo bottle.

0:06-0:09

The scene switched to a young girl, most likely in her early teens. She seemed to be in a bathroom, much like the scene before, but the other woman was no where to be found and the room was not foggy from mist much like the previous one. The camera then shifted downward toward the sink in front of her. On the sink the shampoo bottle from earlier in the ad was clearly visible. While the camera focuses on the bottle, the girl applies some form of lipstick or lip-gloss to her lips. most people who wear lip-gloss are around their teens, supporting the argument that she was of early teenage years.

0:10-0:13

The next scene also shows a bathroom, but this time the tub instead of the sink. In this tub is a very innocent looking Caucasian baby presumably taking a bath. Although the boy is in focus, behind him is a toy duck. Most likely a  toy for the young boy’s bath. The camera focus then moves from the boy to the duck; suddenly a hand put the same yellow shampoo bottle next to the duck. The camera then switched to in front of the boy’s face and he rubbed his face from top to bottom and sticks out his tongue. The boy seemed very happy. He seemed to be in the same bathroom as the woman and the girl from earlier. This observation supports the idea that an upper middle class family resided in this home.

0:14-0:19

Two shampoo bottles were on the sink with the window open. The curtains were blowing indicating a draft. One bottle begins to flicker and falls over. Unless the wind was very powerful and could selectively chose what to push, this entails the bottle is empty. The camera angel switched to above the fallen bottle and reveals a recycling sign. The recycling logo was focused on indicating this is a main focal point of the aid. A woman’s hand then picked it up and threw it into the typical blue recycling bin with a white recycling sin. The scene then faded to black.

0:20-0:30

The scene faded in revealing a white synthetic bristle brush with a black recycling sign on the middle of it. A hand then grabbed the brush, and a woman and her teen daughter were talking. The woman was standing and brushing her daughters hair, while the daughter sat. They seemed to be excited for whatever plans they had, because the daughter was in a lavender dress with a single pearl necklace, and the mother had an orange dress with a black cardigan. Then the daughter randomly laughed. The mother must have said something funny. The scene then switches to the comb on a desk and the screen fades to black once again. The continual return to the items with the recycling logo on them supports the claim that this ad was meant to advocate for recycling on a daily basis. Most people in the United states are middle class, so having two different families from different cultural backgrounds doing the same thing helps everyone relate.

0:00-0:03 The ad begins with a young white male and female, walking away from a building at night. The male is well groomed, wearing brown pants, a brown jacket, and black sunglasses. The female is wearing a black jacket, orange blouse, slight makeup, and has short hair. There is a blue neon sign “bar” on the building, implying they were at a bar. Both of them are dressed nicely, signifying at least lower-medium class.  They are both stumbling slightly, the woman more so than the man. She’s holding on to him as they walk, perhaps signifying that they’re a couple, or she needs his support to stay upright after a night of drinking. They’re both smiling as if they enjoyed themselves. There is a grey car parked in the middle of the street. The car looks about average, nothing special, yet not a clunker. Its lights aren’t on, which means it’s most likely off. The two walk slowly around the back of the car and towards the driver’s door.

0:04-0:05 The two stop walking as the camera zooms in on their faces. The man is positioned in front of the rear driver’s side door, which means he is probably the owner of the vehicle. They turn towards each other, still smiling and laughing.

0:06-0:07 The woman grabs onto the man’s jacket, as if they’re getting ready to kiss each other goodnight. A gray car is seen slowly driving by in the background, along with people leaving and entering the bar.

0:08 The two suddenly look at the camera. The woman is taken out of view, and the camera closes in on the man’s face. His facial expression changes from happiness to a more serious one, as shown by the closing of his mouth.

0:09 The man’s sunglasses suddenly disappear from his face. He fully closes his mouth and looks towards the woman with a puzzled expression. While this is happening, cars and people are quickly blurring in and out of view. Most likely showing that time is quickly elapsing.

0:10-0:11 Both the man and woman are shown once again. She suddenly lets go of his jacket with a similarly confused look. The man looks down and away from the woman, towards his right arm. She also looks towards his arm, with a confused look.

0:12 The camera orients to the man’s wrist, showing a presumably expensive watch. Like his sunglasses, the watch disappears suddenly. He frantically turns his wrist over back and forth, showing he’s both shocked and confused.

0:13 As the view positions back to the man’s face, he looks at the camera with an opened mouth. With widened eyes, he seems to be breathing heavily. His expression has evolved from one of confusion, to that of fear.

0:14-0:18 The man and woman are shown in front of the car, looking downward.  The camera zooms in on the button of the man’s jacket. The stitching of the button unravels, and the button begins to fall. The button falls to the concrete, beside the man’s feet. The view of his dress pants and shoes, quickly changes to him wearing cheap sandals and ripped jeans.

0:19-0:21 The man’s dress jacket has changed to an old/worn white tank top. He looks at the woman with raised eyebrows, with a look of shame or embarrassment. The space between them has grown, showing she may not be as interested in him as before. She looks back with lowered eyebrows with a look of disgust. A zoomed in look, shows more of that same disgust and confusion on the woman’s face, through frantic eyebrow movements. She looks around and takes a hesitant step back, suddenly disappearing herself.

0:22-0:25 Left alone and without his nice clothing, the man looks all around, still confused. The car he was standing in front of disappears, along with the crowds of people and car traffic. He looks at the camera with a look of defeat. The lights inside of the bar all turn off, as the party is most likely over. One last time, a zoomed in shot of the man shows his confusion and shock.

0:26-0:31 The words “Buzzed” appears in blue, “Busted” in red, and “Broke” in blue. Each word flashed the same way police car lights flash in red and blue. The text “Buzzed Driving is Drunk Driving” comes on screen for the remainder of the video.

0:01

The scene begins as we observe the legs of a middle aged man at a playground swinging back and forth on a spring horse. Judging by the leg’s size and their large amount of hair, we can safely assume it is an adult male. He is wearing slightly dirty shorts, plain black shoes, a plain blue hoodie, with white mid-calve socks. He is dressed very comfortably. This is odd, we usually see children playing on playgrounds, not grown men.

0:03

The camera pans upward and we see for a fact that it is a grown man on a spring horse, playing on a playground designed for children. Based off of the giant smile on his face, we can infer that he is enjoying himself. We now can tell the man is not intending to do harm to anyone in the area. However, the question of why he is playing on a playground is still up in the air.

0:06

The camera changes direction and we see a woman at the same park, sitting on a bench with her child in a stroller. The woman makes eye contact with the energetic man on the horse and then quickly looks down and grabs her stroller, holding her baby, to bring it closer to herself. By analyzing her actions, we can come to a rational conclusion that the woman finds the man’s actions to cross social norms, making her very uncomfortable.

0:07

New setting. All we see is an older man pressing his nose to clean glass, making faces someone would expect from a 5-year old. The store is unknown; however, there is a small hot dog sign in the corner of the building. Perhaps it is a small hot dog shop?

He is a well-presented man, nothing out-of-the-ordinary here. Clean-cut hair brushed to the side with a vest and a button up shirt beneath. It is apparent that the man may have a reason to take care of himself. Perhaps he has a job, or maybe he is just single. His motives are unclear at this point.

0:07

A few moments later, we see the man change the direction of his childish gaze. Something has caught his attention. The man seems to be in trouble. Or is he making a face at a new victim?

0:08

Immediately after changing his eye direction, we see the man jump back and carry on as if he were not doing anything. The man makes an expressionless face which reveals his embarrassment. Obviously, he was caught pressing his face to the glass.

0:09

The camera then changes perspective and we see there is a black man watching the man-child. He looks at him through his black rimmed glasses; a look of utter seriousness. The man conveys a look of “leave” to the man-child. Why does he seem so serious over something so minuscule? Perhaps he’s just angry that he has to clean the glass again.

0:10

New scene again. Now we are given the image of a man bouncing with the the sky behind him. It seems like a beautiful, clear, cool day. Perfect weather to jump on a trampoline. The man is wearing a short sleeved, business casual outfit. Obviously, this man has a job, perhaps he also has a family to provide for. If he is not at work, and he is not with his family, why on earth would he waste his time on a trampoline as an adult with responsibilities?

0:12

The man gives a wave to the camera, with a clear genuine smile on his face.

0:14

New shot; same setting. At this angle, we see the female neighbor watching the man enjoy himself on the trampoline from over the fence. The shot captures a feeling of judgement and confusion expressed by the neighbor, while we can clearly see the man enjoying himself. However, from this view, we can only see the man jumping. The fence cuts off the view of the actual trampoline itself.

0:15

Here is a new character entirely, a child! We see the young child smiling behind glass. Not a regular smile, but a smile resulting from laughter. From the angle and setting, it seems that the child is in the same store where the man was rubbing his nose on the glass. The same hot-dog sign is visible in this shot as the man who smushed his face against the glass. Is that who he was making faces to?

0:16

It was! As it turns out, the man was making faces in the window towards the child in a hot dog shop. Who is this man to the child? Is the man making his daughter laugh? Or is he trying to just be playful?

0:18

The child makes a playful face back at the man. She places her thumb on her nose, wiggles her fingers and laughs. Clearly, the child’s face is not made out of anger.

0:18

The camera turns to show the man who expressed annoyance to the man before. He now seems to be happy, almost influenced, by the actions of the man. With a slight smile on his face, the viewer is able to decode a message from this moment. The man recognizes for a second, his mortality. He is working in his hot dog shop, and sees a man acting like a child and is able to perceive the happiness this induces in both of them. The man recognizes the increase of happiness if you let loose when you can.

0:22

Back to the trampoline. It appears that the fence that was in the shot before left out the man’s son! The man is playing with his son on the trampoline. The father is rolling over his head while his son is bounding right beside him with a smile on his face. It almost seems like the dad is enjoying himself more than the kid is!

0:24

Back at the playground, we seem to be moving backwards. We see another child on the same spring horse as the man in the beginning. The child is wearing jeans, a white hoodie, and a blue t-shirt underneath. The child is obviously enjoying himself with the most infectious smile a child could have. He is almost a mirrored-image of the man from the beginning.

0:25

The camera turns and we see the man from the playground! He is bonding with his son on the playground. The father is watching his son on the horse, while playing on a horse himself. Like father, like son.

We see the father smiling as he watches his son smile and enjoy himself. The genuine happiness that is expressed on his face extends the connection the father feels for his son to the consumer.

This advertisement clearly represents the relationship between father and son. Throughout the video, they were sure to show the happiness in both father and son, but they also showed adults peering in and judging the father for being so childish. Although the father’s in this video were clearly being judged, they always continued their efforts to make their child happy. In return, the father were filled with genuine happiness because they were able to go back to being a child while still making their children happy.

This video is very effective in expressing the importance of adult engagement in children. There are no unnecessary distractions within the video which allows the message to be carried without confusion. The director’s obvious use of smiling, angle shifts, and lighting allow emotional expression to be picked up on by the consumer.

0:00  Seems to be many houses in which were involved in some type of flood.  Houses that look like they are crowded next to each other in some type of small neighborhood sit in high waters with no bodies to be encountered for.

0:03-0:06 Camera changes to a house that has water almost up to the front door with a man sitting on a chair on the porch.  It seems that he is trying to think  to himself with tragic thoughts about what he is looking at.  Something like this and how tragic that it is could ruin someones entire life so i couldn’t imagine how bad this man must be feeling about his future.

0:06-0:08 New shot of the back window of a car where there are two children looking out in some type of fear.  It seems the car is dredging through water.  In a sense, these kids could seem to be looking for someone who is helping and seeing what is really going on and how bad everyone has it.

0:08-0:10 Camera changes to what looks to be a flooded area in which some people are being push in little boats to try to stay dry.  The words on the screen make it look as if some people got on their boats to go safe others stranded.

0:11 People on boats in the high water seem to al be heading in the same direction most likely leading to go help others.  People like these are great people because they are giving themselves out to help others in these tough times.

0:12-0:13 A man stands in the high water with a vest on.  Flooded houses in the background with a mailbox showing how high the water is.  Clearly they have the man looking down in a sense that he is feeling really bad for everyone and realizing how tragic these times actually are.

0:14 A man stands in which looks to be a flooded street down at a vehicle coming his way which you can see is fighting through the water.  This car coming could be someone coming to help the man on the phone because something could have went wrong in his house, or houses around.

0:15-0:16 People pointing most likely standing in some type of boat.  A car and houses in the background in which the car is almost completely submerged show to brutal conditions.  The words “saving people” is written across the screen meaning that they are a bunch of people trying to help everyone else out.

0:17 A man seems to be pulling an older man and a younger kid through the water to keep them dry.  Once again, the words saving people is written across the screen which could be meaning that this man is pulling them to safety.

0:18-0:19 A boat full of dogs seem to being pulled by a string to keep them out of the water to not drown.  Saving pets is on the screen so it seems that they are all trying to help the pets get to safety so everyone has a pet still.

0:19-0:20 A dog is being carried by somebody to keep them out of water.  The look on the dogs face shows how sad it really is.  To see a dog in this despair shows how hard these times really are for everyone.

0:20-0:23 A lady stand in what looks to be her living room where it is completely flooded.  Looks to be a dresser in which the draws are out and everything looks damaged.  Its only the beginning on the screen means that this is not the worst of what its coming.  They have to deal with so many problems after this.

0:23-0:28 Looks to be a truck filled with giant bags in which could be care packages.  The words on the screen seem to tell the viewer that those bags are heading over there to help.

0:30 Two children sit on what looks to be a porch where they are holding each other in some type of joy.  Maybe at the end of it all, the bags were sent and in somehow things being to be fixed.

 

Visual Rewrite

0:01-0.04- The scene begins with the revealing of a mother walking with what seems to be her child in a stroller.  As she is strolling around she encounters a potential setback which was a large flight of stairs.  At the 0:04 mark you see a man come into the picture appearing to be helping the woman get the stroller up the stairs.

0:05-0:09- The story transitions to a stuffed plush toy being found by a man in what seems to be a mall like setting.  You then see a woman and what seems to be the same plush toy but in a different setting looking around to see if someone dropped it.  Both the man and woman with the toy end up handing the toy off to a child.  We don’t know who’s the toy was originally.

0:10-0:14- The ad resumes the initial scenario and of the others.  It seems like this woman receives help from others regularly and this wasn’t something out of the ordinary for her. She probably takes this route normally on a regular routine.  The scenarios all relate by people doing random acts of kindness.  It encourages others to go out of our way and do something nice for someone else.

0:15-0:19- At 0:15 the ad shifts focus and now we see the heartfelt faces of both children after receiving the plush toy, and the woman receiving help getting to the top of the staircase.  The diversity of each scenario is to represent people of all ages, gender and race need help.  You don’t have to know the person to do it either is the message it’s trying to send.

0:20-0:25-  A statistic pops up it really smacks the viewer in the face.  The statistic reads “1 in 5 kids struggle with hunger”.  This advertisement is trying to inspire others to do a kind act for someone else.

0:26-0:30-  The visuals appear to conclude but not before the final message pops up.  The message reads “Help end childhood hunger near you” which is brought to you by ‘Feeding America’.  It also gives a website to donate or find out more information on other ways how you can help.  The PSA redirects you to FeedingAmerica.org.

0:01

A bald man in a purple shirt appears to be looking down at something. In the background there were 2 paintings hanging from the a tan-yellowish color wall. He reaches down to turn the volume up on the radio that seemed like it was already playing.

0:02-0:03

I saw him pouring a tray full of ice into a silver metal bucket. It seems like he’s setting up for a party or a special occasion.

0:04

In the scene I see him pouring a bag of pretzels into a small blue and green bowl.

0:05-0:06

Mr. Titus O’Neil goes into the refrigerator as if he is putting seething in the it. After, that I see him open a red door.

0:07-0:08

I see him look down towards the ground. The camera is back farther and I see another person that is handing him food. The man smile as if he is happy that the delivery man came.

0:09-0:10

The next scene you see the man setting up a small green table. He places a black chair on the side of the a green table.

0:11

After setting up the green table and the chairs he sits in his seat with a deck of cards in his hands. The camera is now aiming at the mans hands that have the deck of cards laying flat on the table. It seems like he is having a get together where he will be playing card games.

0:12-0:13

I see him laying the cards down next to each other and shuffles the cards.

0:14-0:15

The camera is still looking at his hands as he passes the already shuffled cards out to his opponents and himself to begin playing the card game.

0:16-0:17

The camera cuts to his face and the cards are close to his face as if he doesn’t want his opponents to see them. His eyes are shifting from his left and right to keep an eye on his opponents so they wouldn’t look at his cards.

0:18-0:19

The camera zooms out and you see a text appear at the bottom right corner of the screen saying “Titus O’Neil WWE Superstar” his card is brought down farther to the table. Their are two pairs of hands on either side of him. He looks to his opponent on his right side and I see his mouth moving to the opponent. The camera continues to zoom out, I see that the person he was looking at was a young boy that couldn’t be older than 11 years old.

0:20

The camera begins to zoom out and I see the kids eating a sandwich with a side of pretzels and carrot. I see the child that the Titus O’Neil was play arguing with was drinking some a glass of fruit punch and the other younger boy is drinking a juice box. It seems like the boy and the WWE Superstar are play arguing about the card game.

0:21-0:22

The young kids start dancing in their chairs probably because they won the card game. It shows that the WWE Superstar throws his cards down in defeat. The text saying “Titus O’Neil WWE Superstar” starts to fade away. The camera continues to zoom out slowly until it fades to black.

0:23-0:33

The screen fades to a black scene and in white lettering saying “It takes a moment… to make a moment.” It goes to another black screen showing a hashtag #makeamoment with the “a” being in orange color lettering and the rest in white color lettering. At the bottom left side of the screen it shows a URL fatherhood.gov and the bottom right side of the screen it shows the Ad Council label and other sponsors.

0:01-0:03 –

The Ad opens up with a man who seems to be devastated while he is inside of an ambulance. He has tears coming from his eyes and he has a bloody bandage on his forehead as if he is injured. There are two nurses a male and a female who are assisting another person on a stretcher. The camera then zooms in on his heart rate monitor and it is decreasing.

0:04-0:10-

The devastated man in the ambulance then has this guilty look on his face, but  we don’t quite know what seems to be the scenario. He is rubbing his head and sobbing as if he just killed someone. The camera then zooms in on the man laying on the stretcher as one of the nurses put an oxygen mask on his injured face. The man on the stretcher looks to be in a very bad condition. One of the nurses uses a defibrillator on the wounded man. Meanwhile the other weeping man is still ranting off, and the woman nurse looks at the man with such a disturbed look on her face.

0:11-0:15-

Both of the nurses then look at eachother then back at the deviated man with a smirk. They have a look on their face which is a sign of relief as if what the man said was good news. The lady nurse then lifts the defibrillator.

0:16-23-

The man on the stretcher arises from the mat and looks around the room. The camera then zooms in on the injured man on the stretcher and he has a brace around his neck with blood all over. When he rises he looks as if he was a vampire awakening from the inside of a coffin. He then looks at the nurses and the man who is devastated as if he is perfectly fine and ready to go immediately. The devastated man then looks amazed beyond belief as if he had just seen a ghost. His face goes from completely crying and sobbing to dazed and confused.

0:24-31-

The man on the stretcher then falls back down onto the stretcher. The male nurse then gives the devastated man a sarcastic look and puts the gas mask onto the patient. The lady nurse puts the defibrillator back onto the mans chest and continues to operate. The man who was calmed down by the surprise of the man on the stretcher then immediately starts crying again. He puts his head down in disappointment. Then a quote comes on the screen which states “Buzzed driving is drunk driving” .

Donate To Food Banks

0:00- There is a boy, assuming to be about nine or ten years old. This boy has short light brown hair with white skin. He is wearing a light blue shirt and looks like he is walking somewhere on a sidewalk. He is also wearing a grey backpack which can be assumed that he goes to school and is either walking home or to school. The setting looks like a sunny day in the suburbs. There is a street with no cars, though maybe there are vehicles down the street but who knows. The background is unclear because the camera is focused on the back side of this boy’s head. We can see that he is also walking on the right side of the street.

0:01- The camera angle is still focused on the back of the boy’s head, but now angled more on the right side of him. There is yet to see this boy’s face. In this shot, there is now a fence in the background with some bushes. It looks like he is entering a yard, opening the gate. The fence isn’t wood or brick, but only thin wire.

0:02-0:03- The boy now enters a house, assuming it is his parents’ or guardian’s. We now see his body from the knees down. He is wearing average jeans with average tennis shoes. The door is light blue, and the floors are tile.

0:04- The boy enters a kitchen while ripping off his backpack, assuming after a long day at school. The clock in the back read 3:35, so this theory can be assumed. The camera is placed in a room next to the kitchen but as if the audience is watching the child from inside that room. The kitchen is average as well. There is a table with chairs in the center, and a counter and sink in the back with a big window above. There is also a silver, two-door refrigerator. The floor is black and white tile. In the room we are watching from, there is a painting of hand prints on the wall. Maybe it is one of each children living in that house, therefor six children living there, or the one child’s hand several times, in several colors. It is hard to tell, but the hands are all the same size. Beside the picture, there are some color pencils of some sort, assuming the boy likes to draw or color often. There is also some counters and cabinet space in this room as well.

0:05-0:06- The boy then opens one side of the refrigerator. We can now see that there is some art work that has been attached with magnets. We can assume that the boy might have made them in school. From the new angle of the camera, from a floor view, we can see that the table only has two chairs. This could indicate there are only two people living in that house, and the boy might have just one parent.

0:07- We can now see what is inside of the refrigerator and it’s not much at all. There are three containers of some sort of left over food. There is one container of a dip perhaps. One jar of salsa and a box filled with some substance that is unknown because of the angle of it. We can also see a part of the back of the boy’s head, and we can tell he is looking at the same things we are.

0:08-0:09- Here the audience can see the boys face through the opening between the door of the refrigerator and the side of the refrigerator. His face looks disappointed at what he sees. His eyes are looking down and his face, as a whole, doesn’t look pleased.

0:10- 0:11- The camera changes again to a view of the whole refrigerator, and we can now see some condiments on the door. The boy looks over at them and back quickly. We can now see another shelf in the refrigerator that has three more little containers with some sort of left over food. Over all, the refrigerator doesn’t look very appetizing.

0:12- The boy then steps upon one of the wooden chairs that he placed in front of the counter and some of the cabinets. We can assume he has closed the refrigerator door and moved the chair to see what other kinds of food are in the cabinet. The camera is back to just about where it was when it was in the other room, next to the kitchen. We can see more of a child’s art work on the front of the refrigerator too.

0:13-0:14- Now, the boy opens up the cabinet door. We can see what’s inside because the camera is now behind the boy’s head, but it is focused on the cabinet itself. We can see some flour and spice on two shelves in the cabinet. There might be some sugar and meat seasoning, but there’s not much, or at least not many items a child around nine or ten can put together for a snack.

0:15- The new camera angle points right into the face of disappointment. His hazel/green eyes still looking into that cabinet, waiting for his favorite snack to magically appear. His lips not looking like they are going to smile anytime soon.

0:16-0:17- We are back to the camera angle in the next room looking into the kitchen. The boys seems to have just gotten down from the chair and starts to head out of the room from where he came in the first place. We can still see the disappointment on his face as well. The audience can tell that he knows that there is nothing to eat, but it seems like he is used to it. He might be leaving because there is no more hope for anything good to happen in that room. It seems like the boy accepts the fact that there is no food, and he will have to wait until later to eat. The boy might be finding something else to do with his free time he has since eating is out of the picture.

0:18- This is a new angle of the boy walking out of the room. It is closer to his face, and the audience can now see only his upper body. Here, we see the boy taking one last, quick look at the refrigerator while leaving. He looks at it up to down, looking very disappointed and scared because of not knowing when he will eat. The boy then walks out of view.

0:19-0:24- The commercial then cuts to an older lady, around 30, facing the camera. She is standing in that same kitchen, speaking to the camera. She has short blonde hair and blue eyes. She is wearing a shirt with a pink pattern and a navy blue blazer. In the corner of the screen, there are the words “Feeding America” in orange and green writing. The lady then talks to the camera for about five seconds.

0:25-0:30- For the rest of the commercial, the logo of the organization is presented in large words. It says “Feeding America” with their website “FeedingAmerica.org” underneath. The audience can assume that the people of the commercial would like the audience to visit the website and find out more about this organization.

This commercial clearly indicates that there is an issue with hunger. Children come home hungry from a long day of school and have very little to eat or no food at all. This commercial is an advertisement for an organization that feeds the hungry. By the title of the video, we know that the boy could not find food because there is no food at the local food banks. Because of that, the woman at the end was most likely saying something along the lines as to why people should donate, most likely with a depressing fact about child hunger.